{"id":4871,"date":"2015-09-02T11:07:56","date_gmt":"2015-09-02T14:07:56","guid":{"rendered":"http:\/\/proclass.com.br\/home\/?p=4871"},"modified":"2018-05-28T17:00:09","modified_gmt":"2018-05-28T20:00:09","slug":"importacao-consciente-no-avid-media-composer","status":"publish","type":"post","link":"https:\/\/proclass.com.br\/home\/2015\/09\/importacao-consciente-no-avid-media-composer\/","title":{"rendered":"Importa\u00e7\u00e3o consciente no Avid Media Composer"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Artigo publicado na Revista \u00c1udio, M\u00fasica & Tecnologia<\/strong>.\u00a0Para conhecer mais sobre a revista,\u00a0clique aqui.<\/a><\/p>\n

\u00a0Para saber mais sobre treinamentos e certifica\u00e7\u00f5es em Avid Media Composer<\/strong>,\u00a0clique aqui<\/a><\/p>\n

\n

 <\/p>\n

\u00c9 muito f\u00e1cil importar material no Media Composer, seja v\u00eddeo, foto ou \u00e1udio. Simplesmente arrastando o arquivo do Finder (mac) ou Windows explorer (PC) para dentro de um bin j\u00e1 resolveria esta quest\u00e3o. A pergunta \u00e9: ser\u00e1 que foi usada a configura\u00e7\u00e3o correta para este material?<\/p>\n

Neste artigo, vamos conhecer ent\u00e3o as principais op\u00e7\u00f5es de importa\u00e7\u00e3o do Media Composer.<\/p>\n

Quando importarmos utilizando o m\u00e9todo acima descrito, as op\u00e7\u00f5es de configura\u00e7\u00e3o deste material s\u00e3o ditadas pelo que estiver ajustado na Project Window -> settings -> import, e nem sempre \u00e9 o ideal para o material em quest\u00e3o. Particularmente prefiro ent\u00e3o importar utilizando o m\u00e9todo mais convencional, pelo menu file -> import. Por este caminho, temos o bot\u00e3o “options” (fig. 1) em que posso conferir os ajustes antes de importar o material.<\/p>\n

\"fig.<\/a>

fig. 1 options<\/p><\/div>\n

\"fig.<\/a>

fig. 2 import settings<\/p><\/div>\n

 <\/p>\n

<\/p>\n

Ajuste das dimens\u00f5es<\/b><\/h3>\n

Nesta primeira \u00e1rea existe a op\u00e7\u00e3o do que fazer com a imagem no caso dela estar dimensionada para algum valor diferente do projeto. Image sized for current project<\/b> deve ser utilizada quando o material j\u00e1 est\u00e1 no formato do projeto. Crop\/Pad for DV scan line difference<\/b> \u00e9 a op\u00e7\u00e3o ideal quando o material \u00e9 maior do que o projeto e as partes extras devem ser cortadas. A op\u00e7\u00e3o Do not resize smaller images<\/b> \u00e9 utilizada quando o material tem dimens\u00e3o menor do que o projeto e n\u00e3o deve ser ajustado. J\u00e1 a \u00faltima op\u00e7\u00e3o talvez seja a mais importante; Resize to fit format raster<\/b> \u00e9 utilizada preencher toda a tela em imagens maiores ou menos do que o formato do projeto, por\u00e9m sem distorcer imagens.<\/p>\n

File Pixel to Video Mapping<\/b><\/h3>\n

Existem dois sistemas b\u00e1sicos de cor e \u00e9 importante informar ao Media Composer qual \u00e9 o sistema usado na imagem a ser importada. Escolha a op\u00e7\u00e3o Computer RGB, <\/b>nas novas vers\u00f5es\u00a0Scale From\u00a0Full Range to Legal Range\u00a0<\/strong>\u00a0from para imagens usando n\u00edveis RGB de cores. A grande maioria de imagens criadas em computadores utilizam estes n\u00edveis. J\u00e1 a op\u00e7\u00e3o 601 SD or 709 HD <\/b>ou nas novas vers\u00f5es\u00a0Do not Modify, Treat as Legal Range\u00a0\u00a0<\/b>utilizada o sistema de cores adotado em v\u00eddeo, estabelecido pelo padr\u00e3o ITU-R 601 e \u00e9 o formato mais comum em c\u00e2meras.<\/p>\n

Alpha Channel<\/b><\/h3>\n

Imagens com transpar\u00eancia criadas no Photoshop por exemplo, utilizam a cor branca para identificar a \u00e1rea transparente mas o Media Composer utiliza a cor preta ent\u00e3o ser\u00e1 necess\u00e1rio escolher a op\u00e7\u00e3o correta.<\/p>\n

Utilizamos a op\u00e7\u00e3o Invert on import<\/b> se a imagem tiver transpar\u00eancia criada em Photoshop ou similares. Para imagens criadas no Media Composer, After Effects e outros, utiliza-se a op\u00e7\u00e3o Do not invert<\/b>.<\/p>\n

Abra\u00e7os e at\u00e9 a pr\u00f3xima,<\/p>\n

\n

 <\/p>\n

\"cris3x4<\/a><\/p>\n

Cristiano Moura \u00e9 instrutor certificado oficialmente pela Avid. Por meio da ProClass, oferece \u00a0consultoria, treinamentos customizados al\u00e9m de lecionar cursos oficiais em Avid Media \u00a0Composer.<\/p>\n","protected":false},"excerpt":{"rendered":"

Artigo publicado na Revista \u00c1udio, M\u00fasica & Tecnologia.\u00a0Para conhecer mais sobre a revista,\u00a0clique aqui. \u00a0Para saber mais sobre treinamentos e certifica\u00e7\u00f5es em Avid Media Composer,\u00a0clique aqui   \u00c9 muito f\u00e1cil importar material no Media Composer, seja v\u00eddeo, foto ou \u00e1udio. Simplesmente arrastando o arquivo do Finder (mac) ou Windows explorer (PC) para dentro de umContinue reading →<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,797,13,1],"tags":[],"class_list":["post-4871","post","type-post","status-publish","format-standard","hentry","category-artigos","category-avid-media-composer-2","category-noticias","category-novidades","no-thumb"],"yoast_head":"\nImporta\u00e7\u00e3o consciente no Avid Media Composer - PROCLASS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/proclass.com.br\/home\/2015\/09\/importacao-consciente-no-avid-media-composer\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Importa\u00e7\u00e3o consciente no Avid Media Composer - PROCLASS\" \/>\n<meta property=\"og:description\" content=\"Artigo publicado na Revista \u00c1udio, M\u00fasica & Tecnologia.\u00a0Para conhecer mais sobre a revista,\u00a0clique aqui. \u00a0Para saber mais sobre treinamentos e certifica\u00e7\u00f5es em Avid Media Composer,\u00a0clique aqui   \u00c9 muito f\u00e1cil importar material no Media Composer, seja v\u00eddeo, foto ou \u00e1udio. 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